What more do you need? In short, if you are looking to increase your mic collection with a ribbon mic or two you should take a serious look at the Royer Labs R-10. Power Requirements: 48-Volt Phantom Only; Supply Current: 4 mA; Dimensions: 206mm L X 25mm W (8 1/8” L X 1” W) Weight: 309 grams (10.9 oz) Finish: Burnished Satin Nickel / Matte Black Chrome (optional) Accessories: Protective wood case, mic sock Optional Accessories: Wind screen, shock mount Like a "proper" guitar recording done in a "proper" studio. I attached the mount to one of the bars in my Grossmann cabinet in line with the centre of the speaker just off to the side of the dust cap. �� C �� �� ? Ye|�ܱy��h?�};TM�WY�y�(���"aʆX��0k��.N��%*� �c�=�~�@��x�v.dN N�>a������P�?�V�1��>��/�.�[�/}p��6��g�Fft��>�'��3���.A���y��>'e���8�Q;ϩB7&x They are well built, solid and sound great on just about anything you ask them to record. There are no switches or settings to tweak just put the mic in the clip connect an XLR cable and hit record. Royer states on their website that the R-10 is particularly good on sound sources that produce high sound pressure level (SPL) such as electric guitar cabinets, drums and brass instruments but they also work well on softer acoustic instruments like violin, woodwind and acoustic guitar. The R-10 is whats called a passive ribbon meaning it does not require 48v Phantom Power or any external PSU. Its ribbon transducer is wired for humbucking to reject electromagnetically induced noise. ����( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��(������( ����jVzE�����(aR�ǰ&�/Q�_x����c�{Z���^u,��8 �}9� ��� �kPb���:F�.?��j%R+sXє�Ӝ�FE~P?��+j�}v�8�2(>�)��Mk_�z��q�H�>d�_C�g��V}Y��YTe�*����|��w0ֿ-����QF�^�~a�C��y�? The R-10’s compact size and mounting system allow for flexible, unobtrusive positioning. Royer were founded in 1998 by David Royer and since that time they have produced some stunning sounding, yet very easy to use ribbon mics. Again it is simple to use and solid. The R-10 has a 2.5-micron ribbon element (the same as in our R-121) and a David Royer custom designed transformer for high overload threshold. Ribbon mics of old required a mic pre with a massive amount of gain due to their low output level, but Royer pioneered the development of ribbon mics so now any 'quality' mic pre with a modest amount of gain will be able to boost the signal to a recordable level without massive amounts … For the latin track that you can hear in the demo, it was just the "right sound". The overheads are to create an image and pick up the cymbals. %&'()*456789:CDEFGHIJSTUVWXYZcdefghijstuvwxyz��������������������������������������������������������������������������� Nugen Audio Paragon Reverb Released - We Have An Exclusive Test. The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. The R-10’s internally shock-mounted ribbon transducer isolates the ribbon element from shocks and vibrations, increasing the ribbon element’s durability and life in the studio or on the road. Active Ribbon Microphone with 2.35" Ribbon, Figure-8 Polar Pattern, Custom German-made Transformer, and Phantom Power $999.00. >> ���� JFIF � � �� �Exif MM * > F( �i N � � � � Y� � �� 8Photoshop 3.0 8BIM 8BIM% ��ُ �� ���B~�� �Y" �� Under normal working conditions, phantom power will not damage a Royer ribbon. The first audio example you can hear below is a full drum mix of a latin track I have been working on. I'm not sure if that is a real word but I think you get what I mean. So which is it??? I am thinking about buying a 121 to track guitars, horns, ect.. with. The business end of the R-10, it's 2.5-micron think (or should that be thin) aluminium ribbon element is formed using Royers patented direct-corrugation process. As I'm sure many of you who watch or read my Production Expert articles are aware, I spend a great deal of my time playing and recording drums, so when I read that the R-10 can be used on drums I wanted to try them as an alternative to the most common ribbon mic that you see being used on drum overheads in studios all over the world, the Coles 4038. %PDF-1.3 And I think Royer Labs has struck a good balance with the new R-10. 4 0 obj << /Type /Page /Parent 3 0 R /Resources 6 0 R /Contents 4 0 R /MediaBox [0 0 612 792] Discover the beauty of ribbon technology with the sE Electronics Voodoo VR1 passive ribbon mic! �ߴG�$8oY� �G�+�6��džV&hR�2�r����:}z��BO�q����j*����O@?Z�o%�+��}O���~�Hق:���*3�H| the Royer 121 ribbon mic will tolerate phantom power. It seems possible to get the job done without an in-line booster in a pinch. The ribbon is in turn protected by a 3-layer windscreen system. endstream Additional Media. Phantom power protection Rugged design can be used virtually anywhere Ruler-flat frequency response from 20Hz to 18kHz +/- 2dB. Trusted content from independent music and post production experts. Other ribbon microphones are not as tolerant on phantom power, for that the Royer design is great. It’s compact, yet powerful! For best and safety reasons, turn on your preamp first - ensure that the phantom power is of - then plug the Royer 121 ribbon microphone. I liked its smaller size--just 5 7/8-inches tall including the adjustable mounting clip--perfect for sneaking in close to guitar amps or percussion instruments. It's a non-powered mic--no phantom power required--eliminating a possible issue in small live sound venues. The housing is solid steel tube that is cut in a water bath using a high voltage brass wire that never touches the mic chassis cutting or burning the required openings and leaving the edge smooth and bur free. My friend Adam at UK pro audio dealer Funky Junk recently asked me if I would like to try a new matched pair of Royer Labs R-10 ribbon microphones. It also has the added effect of reducing the proximity effect so guitar cabinets and acoustic instruments can be close-mic'd without the worry of bass buildup. /Cs2 9 0 R >> /Font << /TT2 10 0 R /TT1 8 0 R >> /XObject << /Im1 11 0 R >> The ribbon transducer is wired in the same way as an electric guitar humbucking pickup to reject electromagnetically induced noise. true /ColorSpace 7 0 R /Intent /Perceptual /BitsPerComponent 8 /Filter /DCTDecode 630 The mic can obviously make a huge difference to the tone and quality of the recording but I think there is more to it. 2 0 obj 11 0 obj Hello, my name is James Ivey and I'm a microphone-aholic. {�#�'� Z��3�[��e�������+���D"Eq e���L��4���꫹�E� �+8� ��O�2������>+����5��&��2��8#!W��RN+"�E҄���(�x�s׎1Mba<2�~���oic�71��W"���Vc�?i$� ��?�U~ͣ�a�#�ݰ3��eK����A8#�v�������]w?��>.|+�!m�I�9n�n�9� ǫ���_��k-J�`zl���j��`;��rp��Y�To'�I�#=F}�T�y �K��. However I am wondering how sensitive these Mics are to 48volts? Royer ribbon microphones are not usually affected by the presence of phantom power. << /Length 5 0 R /Filter /FlateDecode >> On the other hand the manufactures claim that phantom power hitting a 121 is a big problem. Royer ribbon mics are not known for having that tradition ribbon sound but to my ears, the R-10's in this position sound really think but with just enough top end bite to work well on a pop, latin or jazz track to let the shine of the cymbals stand out. We will continue to service all R-101’s and honor their lifetime warrantees. The R-10 carries on this tradition. endobj 6 0 obj << /ProcSet [ /PDF /Text /ImageB /ImageC /ImageI ] /ColorSpace << /Cs1 7 0 R The R-10 requires no power supply and is safe to use on consoles with phantom microphone powering, provided that the cabling is wired properly. The dimensions are 41.5 x 51 x 92mm (1.6 x 2 x 3.6 inches) and it weighs just 170g (6oz). 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